In her second film, Dogfight, Savoca also explores sexual politics, this time focusing an unnattractive girl–a type rarely seen in mainstream films. Questioning standards of beauty, Dogfight is about an exceedingly cruel set-up (hence the title), based on an old Marine ritual in which each participant contributes money to a pot, and the winner is the man who shows up with the ugliest date.
This “dogfight” takes place in San Francisco, the night before a bunch of Marines is shipped out to Vietnam. Capturing the niavete of the early 1960s, the film is a tender examination of the evolving romance between Eddie Birdplace (River Phoenix) and his “date,” Rose Fenney (Lili Taylor). Savoca fleshes out Rose's experience of the events, as she struggles to salvage her dignity. Both Rose and Eddie are seen as victims of societal conceptions of femininity and masculinity.
Savoca plays for laughs the scenes in which Eddie and his pals search for their “dog.” There's a lovely scene early on, in which Rose gets ready for the date, putting on her nicest dress and discreet makeup, while Eddie tries to trick her into smearing lipstick over her face. Savoca also puts her signature as a female director on the sex scene, which is presented with characteristic attention to detail. The scene lingers on such “proasic” issues as when and where you get undressed on your first date, issues that Hollywood movies never bother with.
Savoca orchestrates a radical shift in the audience's perception. Rose begins as an ugly, gullible, duped woman facing heartbreaking cruelty, but by the end of the film, she's perceived as beautiful, but not in the fake manner of the Australian Cinderella tale, Muriel's Wedding, in which a fat girl (Tony Collette) transforms into a winning beauty. In Dogfight, it is Rose's gracious personality which emerges triumphant.
Despite good elements, Savoca misdirects the film with the kind of pathos that encourages viewers to feel sorry for its characters, first for Rose, then for Eddie. The performances of both Lili Taylor and River Phoenix were exceptional, but the movie would have worked better if it were cast with a truely unattractive woman; Taylor is too appealing for the part.Savoca overidealizes Rose, making her a spiritual woman with pacifist philosophy and liberal politics. In forgiving Eddie, Rose relieves him of the last traces of his Marine machoism and misdirected rage.
Dogfight was released by Warners, which didn't know how to market it since it was basically an independentm. The film was met with unfavorable reviews and even poorer commercial prospects.